Klatsassin (2006) establishes a narrative process that defies the limits of cinematic language. By following a recombinant logic with a multiplicity points of view without beginning or end, the film presents some 850 unrepeating permutations of a murder that is presented over a period of 70 hours. Referring to Akira Kurosawa’s classic Rashomon (1950), the story is an expanding narrative process where levels of intrigue proliferate through combinations, flash-backs, and time-frame changes. The film is presented here with two series of photographs: Klatsassin, Character Portraits and Klatsassin, Western (2006).