...The volume demonstrates how power dynamics are built into technological media and how media can be harnessed for radical purposes.   BIOGRAPHIES   SARAH SHARMA is an associate professor and director...

We live on rue Queen in the Cité Multimédia. We throw eggs at the mafia. At night, we are awakened by the engines of  motorcycles. Two hundred birds, real birds, nest in front of our windows. Drones survey...

CHRISTOPHE BARBEAU SAMEER FAROOQ                            NAAKITA FELDMAN-KISS STEVE GIASSON ALEXIS GROS-LOUIS ALEXIA LAFERTÉ COUTU CATHERINE LESCARBEAU & MANOUSHKA LAROUCHE MARION LESSARD GUILLAUME...

Fonderie Darling is pleased to invite you to meet two of its Spring 2022 residents. Curator-in-Residence Max Robenson Vilaire Dortilus is the director of the Centre Culturel Pyepoudre in Port-au-Prince...

Since it was founded in 1994, Quartier Éphémère has striven to balance its annual budget with a minimum of 50% independent revenue, an essential contribution to the organization operating smoothly and...

Fonderie Darling is pleased to host curator, art critic, and anthropological researcher James Oscar for a year-long research residency. Developed under the title The New Region of the World*, James Oscar’s...

In a context where digital technologies have taken over communication, one could argue about the possibility of a progressive disappearance of the voice—with all its intonations and emotions—in favor...

Fonderie Darling is pleased to invite you to a special double event presented as part of the exhibition Feedback #6: Marshall McLuhan and the Arts. Starting at 5:30 pm, the public is invited to discover...

IAIN BAXTER& (CA) Ludovic Boney & Caroline Monnet (CA)                               Disnovation.org (FR) Julia E. Dyck (CA) Harun Farocki (DE) Willy Le Maitre (CA) Marshall McLuhan (CA)  !Mediengruppe...

"The laboratory, the experience of Martiales sets up spaces that make possible the freedom, sovereignty and valour of certain female subjects who are still too little hoped for as authors." Stephane Martelly...

Bénédicte Le Pimpec’s fields of research, influenced by institutional critiques and relations between art and politics, focus on historiography related by artists. A graduate of the École supérieure d’art...

CANCELLED. Guided tour and Michael Parsons performance presented on June 22. Evening of lecture and performance on the relations between architecture and algorithms. 5pm Sébastien Pluot (Lecture)Sébastien...

Fonderie Darling is thrilled to invite Never Apart to think up a musical program for a special event, presented on the Place Publique as part of its Allegorical Circuits for Human Software program. For...

The Darling Foundry is happy to invite you to its famous BINGO evening, on Thursday, August 9, at 7:30 pm.This popular and festive fundraising event celebrates the Darling Foundry action and thanks to...

For the fourth iteration of cycle Fermons les yeux pour voir. Always mind your surroundings, Place Publique collaborates pairs with Esther Bourdages. With an ambulatory concert sublimating the exceptional...

The Darling Foundry is thrilled to host Suoni Per Il Popolo festival The Suoni Per Il Popolo is very proud to present a screening of films by legendary artist Yoko Ono. The program will include selected...

“Memory, for him, was a living material, not a ‘duty,’ and even less a petrified, fetishized object.”1 Joshua Schwebel’s exhibition in the Darling Foundry’s small gallery was conceived during a research...

This first evening of performances aims to make tangible the influences and affinities of artists practicing this discipline.  Adriana Disman Adriana Disman is a performance art maker, thinker, and curator...

Get rid of ghosts?  Mid August 2017. The memorial landmark in memory of the confederate Jefferson Davis on Union Avenue in Montreal is removed, leaving its shadow behind on the side wall of the Hudson...

How can technology transform our experience of the world? For its third occurrence, Allegorical Circuits for Human Software wants to incite a discussion around this question, by presenting two performances...